Coreen Simpson: A Monograph

2025

New York: Aperture

About this publication

The second title in Aperture’s Vision & Justice Book Series, created and coedited by Drs. Sarah Lewis, Leigh Raiford, and Deborah Willis, showcases the luminous, wide-ranging contributions of an essential artist.

Coreen Simpson—photographer, writer, jeweler—has done it all. Working for publications such as Essence, Unique New York, and The Village Voice, from the late 1970s onward, Simpson covered New York’s art and fashion scenes, producing portraits of a wide range of Black artists, literary figures, and celebrities. Her iconic jewelry, the Black Cameo, has been worn by everyone from the model Iman to civil-rights leader Rosa Parks.

This long-awaited volume, Simpson’s first, features her celebrated B-Boys series—portraits of young people coming of age during the early years of hip-hop—as well as her experiments with collage and other formal interventions. An assortment of essays and an extended interview offer powerful reflections on Simpson’s unique blend of portraiture, sartorial politics, and her riveting story of an intrepid life in journalism, art, and fashion.

Contributors

Coreen Simpson, Sarah Lewis, Deborah Willis, Bridget R. Cooks, Awol Erizku, Doreen St. Félix, Rujeko Hockley, Valerie Cassel Oliver, Jonathan Michael Square, and Salamishah Tillet

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Related press

Oct 2025

"Black Cameo," by Vince Aletti, Harpers Bazaar, Italia [print]

Oct 2025
Oct 2025

"In Development: New works at the intersection of art, news, and life," New York Times Opinion [print]

Oct 2025

Coreen Simpson: A Monograph – Photography Book Review,” by Sandrine Hermand-Grisel, All About Photo

Oct 2025
Oct 2025

The Erotics of Coreen Simpson,” by Doreen St. Félix, New Yorker Photo Booth

Oct 2025

Coreen Simpson’s Multifaceted Approach to Art Making,” by Melinda Fakuade, T, The New York Times Style Magazine

Sep 2025

US Photographer Coreen Simpson: ‘It clicked, clicked, clicked in my head,’” by Sebastian Frenzel, Monopol Magazine

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